Unite 1.1 | macOS | 10 mb

Unite allows you to quickly and easily turn websites into full-featured, native apps on macOS. Using the revolutionary Unite browser as a backend, each Unite app features its own browser, while remaining incredibly small and full-featured. And, because 

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Didac Font Family

Didac is a serif family whose letters follow the archetype for ‘modern’ or Didone-style serif faces. They feature a vertical axis and are high-contrast. However, Didac’s structure has a different ductus than some of the most-common moderns; it has a more humanist feeling and is closer to transitional typefaces like Baskerville than one might expect. The family has five weights on offer, ranging from Light through Black. Each weight has a companion italic, too. Didac is a typeface for displays purposes like headlines, but it is efficient in short texts, too. The more extreme weights – like the Thin and Black – are especially suited for headlines and display typography, while the Regular and Italic styles are more likely to hold up well in book and magazine typesetting.

Britney Font Family

This is a quirky display family with very high contrast and double strokes on the stems. It lives on the border between sans serif, cursive, and script typeface. The shapes are loosely based on experiments we made with the pointed brush, but we kept the Britney very clean and crisp as opposed to giving it a handwriting feel. Unlike other typefaces inspired by the pointed pen, capital letters have been kept rather simple, without loops or flourishes. That way, the used can even use words in all-caps if wanted.

Bespoke Serif Font Family

 Bespoke Serif is family of serif fonts intended for use in text sizes: this is a typeface designed for reading. The serifs at the end of the letterforms’ strokes are wedge-shaped. The letterforms themselves feature large and open counterforms, which help maximise the typeface’s legibility. The family includes five weights, ranging from Light through Bold.

Paquito Font Family

Paquito is a small family of serif fonts for use in display sizes. Its three weights have been quite whimsically drawn by type designer Juanjo Lopez. The letterforms are condensed in width, and they all look as if they had been hand-lettered with a fine-tipped pen. This creates a high degree of irregularity in the design. Many of Paquito’s uppercase letters are top-heavy; for example, the upper counter of the ‘R’ is much larger than its lower one. The numerals are neither lining figures nor oldstyle figures; instead, their tops fall somewhere between the x-height and cap-height, and they feature some descending elements, too.

Schotis Font Family

 Schotis is a serif family whose letters follow the archetype for ‘modern’ or Didone-style typefaces. They feature vertical axes of stress and are high-contrast. Schotis is designed for use in text. The family’s 14 font styles are divided into seven weights, ranging from Light to Black. Each weight has an upright and italic font on offer. The fonts’ very large character sets – there are more than 1,0000 glyphs in each font — include a wide array of helpful glyphs for use in text typography.

Malhar Font Family

Malhar is a family of three informal script fonts. Each of the weights – which range from Light through Bold – look as if they have been written quickly, with broad brushes of different widths. Malhar’s letterforms are striking. The family offers designers a series of fonts capable of setting powerful messages. Thanks to their very large character sets, the Malhar fonts can lend texts set in them a feeling or irregularity and spontaneity, too, just as if a calligrapher or sign writer had written the same texts out by hand.

 
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Picket Font Family

Picket is a family of very narrow sans serif fonts designed for use in display typography. They feature an enormous x-height; the lowercase letters are almost as tall as fonts’ capitals. In each of the family’s six weights, the letterforms are drawn with monolinear strokes. These decisions, combined with the general compressedness of the typeface, create a strong vertical-stroke rhythm. Indeed, this verticality and its repetition is underscored by the family’s name: Picket (as in a ‘picket fence’).

Striper Font

Striper is a decorative sans serif font. In almost every letter or numeral in the font whose form contains a straight line (a horizontal, vertical, or diagonal stroke), that line has been replaced with a zebra-striped pattern. This whimsical effect adds levity and ornament to any texts set with the font. Because of the size of the stripes in Striper’s patterns, the Striper font is best used in large sizes.

Bespoke Stencil Font Family

Bespoke Stencil is family of humanist sans serif fonts that look like stencil letters. Each stroke in the fonts’ letterforms breaks at the place where a writer might pause, if they were written with a broad pen. The underlying structure is similar to the Bespoke Sans fonts. The typeface’s design features large, open counterforms; these hep maximise legibility. The Bespoke Stencil family includes five weights that range from Light through Bold.

Array Font Family

Array is a small family of electronic display style fonts. All of the design’s letterforms are made up of dots on a grid. The capital letters in each of the fonts are 10 dots tall. Lowercase letters like the “a”, which does not have an ascender or descender, are eight dots tall. Ascending lowercase letters are one dot taller than the capitals, so the “b” and “d” are 11 dots high. Descending letters like the “j” and the “g” have two dots that drop below the baseline. There are some characters, such as the Euro currency symbol, which dip below the baseline in order to accommodate all of the necessary “parts” on the Array grid, too.